Showing posts with label albums. Show all posts
Showing posts with label albums. Show all posts
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:::CPR015::: KC QUILTY - CLOVER/CORIANDER




Clover/Coriander, the debut release from Brooklynites kc quilty, is the culmination of three years of protracted gestation in which guitarist/vocalist Sadie Dupuis, an MIT dropout-turned-Columbia poet, and drummer Julian Fader (ex-Le Rug) recorded and re-recorded their creepy, catchy Pixies-styled anthems in a bevy of basements across the East Coast.


Their patience paid off. Clover/Coriander is a taut, fiery group of songs that recalls lo-fi stalwarts Sebadoh and Guided By Voices just as well as it embraces new wave shoegazers Autolux and Deerhunter. Recorded by Fader and Carlos Hernandez (Ava Luna) and featuring a shifting line-up of guest musicians, the album traverses effortlessly from the “gloriously pulverizing” guitars of “Supernova” to “Mr Benjamin Watson,” a track lauded as “the best song Blur never got to write for their self-titled album” by AWmusic.ca. Over all of this, Dupuis’ vocals fluctuate between sweetly fragile, lazily sarcastic and violently confrontational, resulting in an aesthetic akin to PJ Harvey’s Rid of Me.


Mixed by Jared O’Connell (A Brief Smile) and mastered by TW Walsh (Soft Drugs, ex-Pedro The Lion), Clover/Coriander is “power-packed…grunge-rock glory” (Praise for Wallflower) and “speaker-rattling…slacker anti-energy” (Ampeater Review).


Every decade, the battle between disco and rock rages anew. Autotune and ‘80s synth throwbacks defined the ‘00s. And just as grunge took cues from ‘70s hard rock, Cooling Pie Records bets the 2010s will have you rummaging through your Sub Pop Singles and watching Reality Bites on repeat. kc quilty’s already established their dedication to ‘90s revivalism. Throw on your thrift store flannel and come along with them.

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:::CPR019::: AVA LUNA - SERVICES






<a href="http://the.shop.environmentalaesthetics.com/album/ea007-ava-luna-services-ep">Ava Luna - Clips by Environmental Aesthetics</a>



Well, don't ever fault us for being a little late. This is Ava Luna's newest release and it's probably their most assured yet. They've been getting a lot of good press lately and the Village Voice has taken notice so it's probably just a matter of time before they get too big for our lil operation over here. As it stands, we present you the album. If you'd like to order a screenprinted CD-R copy, please email coolingpierecords@gmail.com and we'll get one to you. Enjoy!
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week 1: tuesday dec 8th

i'm going to listen to all of rolling stone's top 500 albums in the next 5 weeks. i'm aiming for 100 albums a week. i've heard most of these and know a lot of them, so i'm starting with things i know well/haven't enjoyed in the past. i also started from 1 and am working towards 500, because i assume that the higher numbers will be somewhat more obscure and require more attention from a first-time listener.


1. Sgt. Pepper's Lonely Hearts Club Band, The Beatles
2. Pet Sounds, The Beach Boys
3. Revolver, The Beatles
4. Highway 61 Revisited, Bob Dylan
5. Rubber Soul, The Beatles
6. What's Going On, Marvin Gaye
7. Exile on Main Street, The Rolling Stones
8. London Calling, The Clash
9. Blonde on Blonde, Bob Dylan
10. The Beatles ("The White Album"), The Beatles
11. The Sun Sessions, Elvis Presley
12. Kind of Blue, Miles Davis
13. Velvet Underground and Nico, The Velvet Underground
14. Abbey Road, The Beatles
15. Are You Experienced?, The Jimi Hendrix Experience
16. Blood on the Tracks, Bob Dylan
17. Nevermind, Nirvana
18. Born to Run, Bruce Springsteen
19. Astral Weeks, Van Morrison
20. Thriller, Michael Jackson
21. The Great Twenty-Eight, Chuck Berry
22. Plastic Ono Band, John Lennon
23. Innervisions, Stevie Wonder
24. Live at the Apollo (1963), James Brown
25. Rumours, Fleetwood Mac
26. The Joshua Tree, U2
27. King of the Delta Blues Singers, Vol. 1, Robert Johnson
28. Who's Next, The Who
29. Led Zeppelin, Led Zeppelin
30. Blue, Joni Mitchell
31. Bringing It All Back Home, Bob Dylan
32. Let It Bleed, The Rolling Stones
33. Ramones, Ramones
34. Music From Big Pink, The Band
35. The Rise and Fall of Ziggy Stardust and the Spiders From Mars, David Bowie
36. Tapestry, Carole King
37. Hotel California, The Eagles
38. The Anthology, 1947 - 1972, Muddy Waters
39. Please Please Me, The Beatles
40. Forever Changes, Love
41. Never Mind the Bollocks, Here's the Sex Pistols, The Sex Pistols
42. The Doors, The Doors
43. The Dark Side of the Moon, Pink Floyd
44. Horses, Patti Smith
45. The Band, The Band
46. Legend, Bob Marley and the Wailers
47. A Love Supreme, John Coltrane
48. It Takes a Nation of Millions to Hold Us Back, Public Enemy
49. At Fillmore East, The Allman Brothers Band
50. Here's Little Richard, Little Richard
51. Bridge Over Troubled Water, Simon and Garfunkel
52. Greatest Hits, Al Green
53. The Birth of Soul: The Complete Atlantic Rhythm and Blues Recordings, 1952 - 1959, Ray Charles
54. Electric Ladyland, The Jimi Hendrix Experience
55. Elvis Presley, Elvis Presley
56. Songs in the Key of Life, Stevie Wonder
57. Beggars Banquet, The Rolling Stones
58. Trout Mask Replica, Captain Beefheart and His Magic Band
59. Meet the Beatles, The Beatles
60. Greatest Hits, Sly and the Family Stone
61. Appetite for Destruction, Guns n' Roses
62. Achtung Baby, U2
63. Sticky Fingers, The Rolling Stones
64. Phil Spector, Back to Mono (1958 - 1969), Various Artists
65. Moondance, Van Morrison
66. Led Zeppelin IV, Led Zeppelin
67. The Stranger, Billy Joel
68. Off the Wall, Michael Jackson
69. Superfly, Curtis Mayfield
70. Physical Graffiti, Led Zeppelin
71. After the Gold Rush, Neil Young
72. Purple Rain, Prince
73. Back in Black, AC/DC
74. Otis Blue, Otis Redding
75. Led Zeppelin II, Led Zeppelin
76. Imagine, John Lennon
77. The Clash, The Clash
78. Harvest, Neil Young
79. Star Time, James Brown
80. Odessey and Oracle, The Zombies
81. Graceland, Paul Simon
82. Axis: Bold as Love, The Jimi Hendrix Experience
83. I Never Loved a Man the Way I Love You, Aretha Franklin
84. Lady Soul, Aretha Franklin
85. Born in the U.S.A., Bruce Springsteen
86. Let It Be, The Beatles
87. The Wall, Pink Floyd
88. At Folsom Prison, Johnny Cash
89. Dusty in Memphis, Dusty Springfield
90. Talking Book, Stevie Wonder
91. Goodbye Yellow Brick Road, Elton John
92. 20 Golden Greats, Buddy Holly
93. Sign 'o' the Times, Prince
94. Bitches Brew, Miles Davis
95. Green River, Creedence Clearwater Revival
96. Tommy, The Who
97. The Freewheelin' Bob Dylan, Bob Dylan
98. This Year's Model, Elvis Costello
99. There's a Riot Goin' On, Sly and the Family Stone
100. In the Wee Small Hours, Frank Sinatra
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:::CP016::: THANK YOU MUSIC - OTTER KING OF THE ANIMALS




When Louie Glaser (Thank You Music) sent me these songs, I said "Hey you know, it looks like you've got a little avian theme going here." He just shrugged at me and claimed it was a coincidence but I don't buy that for a second. Otter King Of The Animals is a shockingly fully formed seven song EP that floored me enough that I needed put it out here. Even if one single person listens to it, it'll be worth it because these songs were burning a fucking hole in Louie's hard drive and that strikes me as incredibly unfair. Why should we be listening to the nth Phoenix remix of the week? Who gives a shit about a(nother) mediocre Built To Spill album? This is the real shit right here! You all may not realize it today, tomorrow, or the day after, but in accordance with Cooling Pie Records' strict policy of only putting out awesome shit, we've got a bonified hit on our hands (and in our minds). Either way Louie, don't tell me you didn't sit and sequence this sometime deep in the night, fantasizing about how the tracks fit together. If you didn't, well, I don't even know what to think. You probably need a better label to put your shit out... but this will do for now.



DOWNLOAD OTTER KING OF THE ANIMALS.zip






Thank You Music Myspace
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:::CP011::: MARDUKE - THE FUTURE HAS COME AND GONE




<a href="http://marduke.bandcamp.com/album/the-future-has-come-and-gone">Tiny People by Marduke</a>


Fuck man, what's the point of having a lil record label if you can't put your own pet projects out?! Marduke is me, Julian Fader.

According to me a few hours ago:

"These days, there's really no such thing as a "demo" for the home recordist. "Sketches" become "demos" become "actual songs" and one hardly realizes that one has arrived. As it were, all of these are songs that started out as sketches for me. Some of them never got past that, some of them are much more "finished", whatever that means. I'll leave it up to you to figure out which are which; I like them all the same. Calling this a "solo album" would infer that I'm in some sort of popular band that garners enough attention that I would have the oppurtunity to "go solo". I'm not, although I am in kc quilty (www.myspace.com/kcquilty) and we are liable to melt your face off. These are just some songs that I made for myself because recording for me is like yoga or mediation for others. I zoned out, I made these songs, I think some other people might like them. If not, it's okay. They've already served their purpose."



There you have it. I'd love to hear what you have to say. The download is free but if you wanna throw a few dollars my way to keep this site/this music going, I'd be much appreciative.

Thanks.
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:::CP014::: VAN GUMBY - MASTERS OF PANIC


<a href="http://vangumby.bandcamp.com/album/masters-of-panic-ep">Grecian Idol by Van Gumby</a>

"Dateline 2026. "To what can we attribute the current state of popular music?" ask the dyspeptic masses. Drivel-spewing automatons that have handily replaced music critics contend, "Van Gumby, circa 2009". To which the blithering morons might reply, "Who(m)(z)?"

Truly, little is known about this lyrical outfit. Its origins are vaguely understood, if at all. Its disappearance at the apex of fame is absolutely inexplicable. Top scientists have divined that the so-called "troupe" employed between three hundred and fifteen hundred people at any given time, each tasked with toggling a specific switch on a massive mainframe affectionately known as "GORLAC". Theories abounded as to how this behemoth machine produced a warbling humanoid voice and emulated the dulcet tones of feedback-bloated guitar work and sharp, cutting percussion. The last of these theorists was put to death in 2017, and theories have since ceased to abound.

Yet the all-encompassing legacy of Van Gumby is indelible, if not singularly stupefying. Not a single new artist or band distributes a shred of music without giving "mechaprops" to Van Gumby in the liner notes of their latest Compact HyperCube Holo-vessel. Not a single musical performance begins without the now-cliched primal scream of "all glory to Van Gumby and his army of lobotomized minions!" So can you really blame the modern-day "layfan" for not knowing Van Gumby the band from Van Gumby the ancient mythical creature? Local idiot Dr. Julian Fader IX told me, through his feeding tube, "Van Gumby is a band? WTF (sic)! Considering the number of small rodents and wildfowl that have been sacrificed in his name before shows, who would have thought that he was anything other than some sort of gargantuan manifestation of death itself?" Truer words have never been spoken by a full-bore mongoloid.

So it is that Van Gumby, at some point in its opaque history, transitioned from an actual musical production system into a post-pop-cultural faux-reference. How and when this transition occurred is currently being processed on a large machine purportedly capable of calculating the meaning of life (that question is second in queue). I am apprehensive of the result of this procedure, as perhaps it is best for future generations if we were to remain shrouded. A Unified Van Gumby Theory (UVGT) has long been assumed to portend the immediate destruction of the universe. I shall perish this thought and leave you instead with another gem from the famous inbred barbarian Dr. Julian Fader IX, who, upon my egress from his feces-laden steel cage, exclaimed without provocation, "You call these bagels?""

- Prasad Patil, 9/9/09
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CRUST NEVER SLEEPS Tracklisting!!



Here we go...after a ton of work, we present you with the tracklisting of Cooling Pie's inaugural compilation album Crust Never Sleeps Vol. 1. Securing all of the bands and songs has been a labor of love and it turned into a truly international affair. We're also very excited for the release party on May 8th @ the Bowery Poetry Club (Details here!)

Anyways, feast yr eyes on the songs:


1. Bent By Elephants - Wrecker In The Dark
2. A Brief Smile - Something Is Going On
3. Little Bear and the Bad Touch - Polytonic Mountain
4. Clayton Scoble (of Francine) - Crooked Gait
5. Orphans and Vandals - Hey Driver
6. Day Sleeper - Untitled
7. Casiorossi - More Psychology
8. kc quilty - Supernova
9. Pocketknife - Buy Back The Boat
10. Ava Luna - (Do Me No Wrong) While I Am Gone
11. Jesse Miller (frmrly of Critter Jones) - Democracity
12. Team Teamwork - Suck It Or Not (Cam'ron + Lil Wayne + Wilco)
13. Jason Boyd (frmrly of Audiovent) - Lemons For Love
14. Several Girls Galore - Good & Beautiful
15. Randy Numens - Koilsnake


This is liable to change slightly in the next few days, but this is pretty much how the compilation will look. Check back here on May 8th to download/stream it for FREE. We also have a limited amount of CD copies of the compilation that are free, please email us if you'd like a free copy.
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The Top Five Records of All Time (A Personal List)


I was speaking with a good fellow tonight and amidst conversation about more important things, the topic of top five records came up. This is dangerous territory; top five lists tend to be either boring or discrediting, and my main concern is twofold: one, that even if no one else is, I am quite tired of my own top five lists, and two, my top five record list is indeed quite rote. Does anybody need to hear my say that Exile on Main Street is a good album?

The answer is yes. I have decided to forgo my reservations and record this, my list of the top five albums of all time. But before I begin I must get a few things out of the way.

1. This is the last top five list I will make public. It truly is the most trivial kind of blog post, and if I wasn't taken with a sudden desire to write this, I would have stopped ages ago. There will not be a follow up list if it turns out I forgot something. Though you are welcome, nay encouraged, to respond with a list of your own. We may subsequently debate, and make merry.

2. They Might Be Giants will not be on this list, though they are very good.

3. Lists tend to be a fairly revealing exercise. I take the example of movie lists. If your favorite movie is The Truman Show, probably you haven't seen that many movies. If your favorite movie is Eternal Sunshine, you're probably a douchebag, and if your favorite movie is Yes Man, you probably don't care that much. Any of those positions are fine, but I think its far more interesting to say your favorite movie is, say, Pan's Labyrinth, which is a commendable choice but means your perspective is uniquely yours, than it is to say your favorite movie is the Godfather. Sadly my own list will tend more towards the latter, as my music tastes were defined primarily by the tapes my dad had in his car (a Chrysler LeBaron, no less).

4. Because I really want Rain Dogs on this list, but can't see fit to substitute anything else for it, this is actually going to be made up of six albums. Rain Dogs is very good besides, so go pick it up if you haven't.

So without further trepidation, let's begin:

6. Rain Dogs - Tom Waits

The shit that hit the fan the hardest. I find it increasingly difficult to say that Tom Waits doesn't just have like seven things he does very well that he does over and over, but this record's pretty fucking inspired. Also worth noting is I was inspired to pick it up based on Paul Rudd wearing a t-shirt with the album art on it in Knocked Up.

5. Wowee Zowee - Pavement

In which Stephen Malkmus gives up trying to be a rock star and retreats into his dickishness. But this is the album I will play for my children, the implausible majesty of a poetic musician who claimed to care only slightly and cared only slightly more.

4. Exile on Main Street - The Rolling Stones

Possibly the most vicious album of all time, and one that doesn't shy from dropping N bombs because Mick is not from America and doesn't care about it. Not that this concept doesn't appeal to the meanest-spirited part of my nature, but there's a certain vindication that a record of such cynicism was embraced by the earnest-at-large general public. And not one song is not awesome.

3. Highway 61, Revisited - Bob Dylan

I didn't like Dylan's quote about not liking nature because it can't touch the fortitude of dreams until I read Rousseau and realized that the enlightenment's obsession with the Natural is limiting and Dylan's invection is much further-reaching. Taken as a statement of philosophical weight, it injects his lyrical concepts with an artistic height that as much as I've always revered him, I never credited him with, and even if not, these are the songs on which Dylan's songwriting is at its premium. Much like Lil Wayne, its possible no one will really ever understand him completely, which ascribes a quite literal timelessness to this record for as long as anybody still cares. Also, a Wayne/Dylan collabo would be ideal.

2. The Velvet Underground & Nico - The Velvet Underground

Necessary. If I had a nickel for every time a band wasn't as good as the Velvet Underground...

1. Abbey Road - The Beatles

The real shit. This is it, the greatest album of all time; a statement about the state of the world (The Beatles would hereby like you to believe we are all connected, by love) pulled off with the grace and beauty that makes me believe it. If all music were this good I'm convinced there would be no wars. You hear that, Barack Obama? Start making music now.

And that is it. The six greatest things anybody has done to sound. And despite my initial acknowledgement of subjectivity, I now believe that this is pretty much Truth. That's what writing alone will do to you.

But if you were truly offended by this, here is the list of honorable mentions:

Astral Weeks - Van Morrison
Loaded - The velvet Underground
Greetings from Asbury, NJ - Bruce Springsteen
Hex Enduction Hour - The Fall
Doolittle - Pixies
Bee Thousand - Guided by Voices
Illmatic - Nas
Emperor Tomato Ketchup - Stereolab
The Lonesome Crowded West - Modest Mouse
Separation Sunday - The Hold Steady
Gimme Fiction - Spoon
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CP006 ::: DAY SLEEPER - DROP YOUR SWORD




Recorded and mixed by Will Radin in Cas' Basement Dungeon
Luke Pyenson - Drums
Justin Danforth - Guitar
Cas Kaplan - Guitar/Vocals
Dan Ferm - Bass


As promised (albeit a few days late), we present to you Day Sleeper's debut album Drop Your Sword. I like this album 'cause there's a buncha feedback on it and there's echoey tambourines and lotsa guitars and yet vocalist Cas sits pretty squarely in the center of the mix. It's like My Bloody Valentine if they turned up the vocals a little bit. I know people love the MBV buried vocal thing but myself, I prefer to be able to hear the damn singer. So yeah, you can hear him, just stream it!
Or click here to download the MP3s
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CP004 ::: AVA LUNA - TALES OF A NEW YORK CITY PEDESTRIAN (originally released in 2005)




Click to download 'New York City Pedestrian' in its sexy MP3 glory





Here's the masterpiece. Originally recorded throughout 2004 and 2005 at Ari Zeiguer's house in the Bronx, "Tales..." is an record that I'm very proud to stream up here. The first time I heard this record, I was a junior in high school and I was sitting in Ari's dorm room, stoned out of my wits. He asked if I wanted to hear his band and I absolutely did not--for me, there's nothing worse than listening to crappy bands when I'm stoned. I want the good shit: slow, hard music in waltz time. Maybe that makes me weird. Anyways, it's not that there was anything particular about Ari that gave me cause to think his band would suck, it's just that, you know, I'm a skeptical person and I really wanted to listen to Radiohead or something. So he puts on this little record and...suprise, I nearly wet myself.

First track "Love" gave me my Radiohead fix and with that satisfied, I was able to enjoy the rest of the album for what it is: classically arranged rock music minus any "prog" pretensions. I fucking hate prog. Seriously. But I love this album. I think "My Summer" might still be the best song that anybody I know personally has ever recorded. "Song for a Movie" ended up getting redone for Ava Luna's next record Lemming which we'll toss up on the site soon. "Sandpaper" has a real, live choir on it. How do you do it Carlos? I do not know. All I can say is that I invite you to enjoy this album with all (two) of us at Cooling Pie Records. Do drop us a line and tell us what you think!
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CP005 ::: THE CRATERS - KISSING/SAMBA PARTY






Recommended/Lucky Numbers: 1,5,6,10,11



CLICK THIS HERE LINKY TO DOWNLOAD THE EM PEE THREES!

This here's gonna be the album/double EP thing that shoots us to stardom for sure. The Craters consist of a dude named Wes and a dude named Jared.  I begged these guys for a while to let me  try to make their recordings sound more "hifi" and "crisp" and other stupid things like that.  I think I missed the point because when they delivered this double EP set, I flipped a shit.  I remember driving around Austin  and bopping my head to the 1-2 punch of "Like You Used To Know" and "Baby".   "Sonic On My Sneaks" is a harsh tranquilizer, "Lear Jets" is extremely unsettling.  I was lucky enough to get to work on the mix for Bellyache and afterwards, it was stuck in my head for days.  The hooks aren't always immediate; this isn't Tal Bachmann™ or anything, but they're definitely there and the payoff is always strong.  They still won't let me give them new drum samples but fuck, these guys are so fucking talented they hardly need em.   Stream it for free here, tell your friends you helped them get to the top, and:





Cooling Pie is proud to be the Japanese/European/African label for the Craters.  On the American internets, they're also represented by Amazing Wow

We're also going to have hard copies of the double EP for sale up here ASAP.  You will know when it happens.  

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CP003 ::: ALEX WHYTE - SILENT SPACE






Recorded and mixed by Julian Fader
Alex Whyte - Acoustic guitar, trombone, vocals
Julian - Drums, electric guitar
Adrienne Lloyd - Bass
Billy Mintz - Additional treatments on 1, 6



Alex and I recorded this EP at Buck's Rock summer camp in the summer of '06 in a wooden shed. All of the songs were recorded before midnight and 5 AM and I think there's definitely a lot of that vibe on here. Alex is a pro: pretty much all of these are first or second takes. The last track is actually New York-based percussionist Billy Mintz tinkling around on the piano--we went to the shed to record one evening and found Billy "composing" this piece. I quickly set up a mic and recorded it without his knowledge. As far as I'm aware, he still doesn't know he's on the record but I kind of like it that way. Billy, if you see this, the minute we get paid for this album, we'll buy you a beer. Or a car.

Get Billy Mintz (and Alex Whyte) paid:








You can also purchase a copy of the album at http://cdbaby.com/cd/alexwhyte. We'll have a direct link up soon...
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CP002 ::: AVA LUNA - THE CHILD IN THE SKY (originally released in 2003)







CLICK TO DOWNLOAD AVA LUNA - THE CHILD IN THE SKY.zip


To understand The Child In The Sky, all you need to do is check out that tracklist.  Six songs break the six minute mark and there are 18 total tracks, including a remix!  Looks like a Kanye album or something...but it's not.  The Child In The Sky is the solo handiwork work of a young Carlos Hernandez, who's currently dominating Brooklyn's burgeoning "east-of-Williamsburg-hipsterish-semi-legal-we-won't-card-if-you-don't-tell warehouse/basement/loft" in a far different, newer incarnation of Ava Luna.  They rock now but there's a purity to this album that I love.  From what I understand, a 17 year old classical-pianist Carlos decided to record a rock song ("Co-Operation/Suspense") and the rest of the album grew out of these first attempts.  Nobody was ever supposed to hear this music; it's an artist making art for his own sake.  And yet, I think some people will like it.  Some will probably hate it.  If you like Mogwai, Sigur Ros, Procol Harum, or the first King Crimson album, you'll probably like this.  If you like Dan Deacon, Garth Brooks, or Dave Matthews (ever seen these three in a list together), you probably won't.  In fact, if you like Garth Brooks, please get off of this site.  Now.

REVIEWS:

"the child in the sky is like SO bad" - Carlos Hernandez, 2008. 

If that doesn't tell you enough, then I don't know what will.  Enjoy.  And donate.








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CP001 ::: SPENCER TRICKER - LOGIC


Recommended/Lucky Numbers: 1,5,6,11



Produced by Julian Fader and Spencer Tricker @ Hot Water Studios, Fourth Floor Lounge, & Buck's Rock
Mixed by Julian
Mastered by Dr. Toby "The Doc" Mountain
Spencer and Julian play all instruments except:
Ian Moskowitz - Bass, wooden frog on 10
Ellie Kahn - Violin on 5
Ira Fader - complex and yet subtle guitar solo on 4
Madeleine McMillan & Sasha Winn - Vocals on 11



Oh lordy...here we go.  This release is CP-001, our very first release and it's the debut album by Cooling Pie Records co-founder Spencer "the illFantastic" Tricker.  The album was painstakingly crafted over two years in various dorm rooms, bedrooms, living rooms, basements, and other dens of iniquity.  Upon its initial 2006 release, it sold about 16 copies and as a result, we're streaming it here for free.   If you like what you hear, please follow the following steps:



1. ask for Spencer's number in the comments section.  Really, I'll give it to you.

2.DONATE






3. BUY

SPENCER TRICKER: Logic

4. Repeat.






What the Online Illuminati have to say:

"Spencer Tricker has to have one of the most arresting voices I've heard in some time."
-SKATTERBRAIN

"[...] Spencer Tricker divides his time between New York City and Florida, all the while doing his student thing and setting down sincere sounds in bedroom- and basement-style recordings. The pleasant surprise of it is his vocal sound, which even in demos lets a little gut and world-weariness seep through."
-Hello Gina

"Spencer has a great voice and a knack for writing beautiful songs!"
-Hits in the Car

"There's something striking and beautiful in his simplicity: his arrangements, as sparse as they may be at times, accompany his voice beautifully"
-Who Needs Radio?

"More than once I’ve found myself mentally comparing Tricker’s voice to Ray Davies of the Kinks. It’s seductive but unthreatening, and pleases the ear to a perfect degree. There’s nothing synthetic about it; it’s pure, unaltered talent."
-The Whit Online (Rowan University, NJ)

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